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    <loc>https://www.sameliaaudio.com/blog</loc>
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    <priority>0.75</priority>
    <lastmod>2025-10-03</lastmod>
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    <loc>https://www.sameliaaudio.com/blog/how-to-design-3d-sound-for-dolby-atmos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-20</lastmod>
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      <image:title>Blog - FROM STEREO WIDTH TO HEIGHT: USING ATMOS CHANNELS TO SELL SIZE IN SOUND DESIGN (PART 2) - Make it stand out</image:title>
      <image:caption>Spreading a sound across multiple dimensions over time can be used to increase its intensity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/38413f83-e89a-45a8-b5c4-ce3f9348315d/unsplash-image-ct_fqM7Qffo.jpg</image:loc>
      <image:title>Blog - FROM STEREO WIDTH TO HEIGHT: USING ATMOS CHANNELS TO SELL SIZE IN SOUND DESIGN (PART 2) - Make it stand out</image:title>
      <image:caption>height channels offer a canvas to create more layered, nuanced, and enveloping sound design, and are utilized fully in Blade Runner 2049. Height channels are used for a range of elements, some intimate, and others that allow the city to seem to stretch for miles upward.</image:caption>
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    <loc>https://www.sameliaaudio.com/blog/how-to-use-stereo-width-for-cinematic-sound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
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      <image:title>Blog - HOW STEREO WIDTH CAN BE USED TO SELL SIZE IN SOUND DESIGN (PART 1) - 2.2:1 Oslo Skyline</image:title>
      <image:caption>Nolan also utilizes aspect ratio changes for a similar effect visually; a “standard” movie image creates contrast…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1758919169853-JB7WUD4ES4936HRMMGAP/178_to1_christoffer-engstrom-tjguvu0goem-unsplash.jpeg</image:loc>
      <image:title>Blog - HOW STEREO WIDTH CAN BE USED TO SELL SIZE IN SOUND DESIGN (PART 1) - 1.78:1 (IMAX) Oslo Skyline</image:title>
      <image:caption>…for aspect ratio shifts. IMAX scenes use more screen real estate reinforcing the feeling that big action scenes feel bigger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1758915754151-JD2DVF9AGGHYVUX1I0KF/unsplash-image-Oi31uKsnM1Q.jpg</image:loc>
      <image:title>Blog - HOW STEREO WIDTH CAN BE USED TO SELL SIZE IN SOUND DESIGN (PART 1) - Make it stand out</image:title>
      <image:caption>Big might not mean loud, but that doesn’t mean loud isn’t still fun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/d8076c18-a121-4fdf-983c-c7d6dc17cd02/unsplash-image-8LlJNFLTEm0.jpg</image:loc>
      <image:title>Blog - HOW STEREO WIDTH CAN BE USED TO SELL SIZE IN SOUND DESIGN (PART 1) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1758916192516-7XVRN0A894VZ6IZN7Q2K/unsplash-image-WwJK-PEeNkY.jpg</image:loc>
      <image:title>Blog - HOW STEREO WIDTH CAN BE USED TO SELL SIZE IN SOUND DESIGN (PART 1) - Make it stand out</image:title>
      <image:caption>Recording closer to the source results in more direct sound being captured</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/diy-theremin-am-radio-sound-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1739558636683-J09AGE6AH759SOA24XBQ/unsplash-image-nNNCmnY5Kls.jpg</image:loc>
      <image:title>Blog - USING AM RADIOS TO CREATE YOUR OWN THEREMIN-LIKE SOUNDS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1739559179365-VFATBS656IIJ244RKFED/unsplash-image-SshYpuf607g.jpg</image:loc>
      <image:title>Blog - USING AM RADIOS TO CREATE YOUR OWN THEREMIN-LIKE SOUNDS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1739559290942-0OY60DS9HVN12B6KD0NP/unsplash-image-S_3uPi5IWIE.jpg</image:loc>
      <image:title>Blog - USING AM RADIOS TO CREATE YOUR OWN THEREMIN-LIKE SOUNDS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/ear-training-for-sound-designers-and-post-production-teams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/60d8ed98-6f00-4428-b3cc-22d5fc2c4c3e/unsplash-image-lCPhGxs7pww.jpg</image:loc>
      <image:title>Blog - EAR TRAINING FOR SOUND DESIGNERS AND AUDIO ENGINEERS: ESSENTIAL SKILLS FOR POST-PRODUCTION - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1734460004741-RIQ1NB3RNPQU0FT7RRD1/unsplash-image-BPDJLWz_Bog.jpg</image:loc>
      <image:title>Blog - EAR TRAINING FOR SOUND DESIGNERS AND AUDIO ENGINEERS: ESSENTIAL SKILLS FOR POST-PRODUCTION - Make it stand out</image:title>
      <image:caption>Develop a routine that includes 15–30 minutes of ear training each day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1734459824306-5203P6NRQ7WMC2C014BP/unsplash-image-bN3KYPiAd8k.jpg</image:loc>
      <image:title>Blog - EAR TRAINING FOR SOUND DESIGNERS AND AUDIO ENGINEERS: ESSENTIAL SKILLS FOR POST-PRODUCTION - Make it stand out</image:title>
      <image:caption>If you’re truly dedicated to advancing your skills, investing in Golden Ears is a worthwhile decision.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1734459615468-5RLTWZJSQPIZRE3CXYDW/unsplash-image-erUC4fTtCuo.jpg</image:loc>
      <image:title>Blog - EAR TRAINING FOR SOUND DESIGNERS AND AUDIO ENGINEERS: ESSENTIAL SKILLS FOR POST-PRODUCTION - Make it stand out</image:title>
      <image:caption>Train your ears like a pro!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/sonorous-objects-so104-ultrasonic-microphone-review-audio-samples</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/ec29bd79-8308-4a93-a7a8-85bcd3dab7f5/so104VoiceAfterDownPitching.jpg</image:loc>
      <image:title>Blog - AFFORDABLE ULTRASONIC MIC? SONOROUS OBJECTS SO.104 REVIEW WITH AUDIO SAMPLES - Make it stand out</image:title>
      <image:caption>SO.104 voice recordings after down pitching 2 octaves showing lots of detail remaining up to 20kHz, resulting in a convincing pitch shift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/0ed998b6-c7ae-41b3-a27d-b6d852e25149/SE8VoiceDownPitched.jpg</image:loc>
      <image:title>Blog - AFFORDABLE ULTRASONIC MIC? SONOROUS OBJECTS SO.104 REVIEW WITH AUDIO SAMPLES - Make it stand out</image:title>
      <image:caption>SE8 voice recordings after down pitching two octaves are missing detail in the upper frequencies approaching 20kHz, resulting in a muffled and dull pitch shift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/32588b80-ac48-441d-96d6-e7f35cf987e7/so104topPr_se8botPr.jpg</image:loc>
      <image:title>Blog - AFFORDABLE ULTRASONIC MIC? SONOROUS OBJECTS SO.104 REVIEW WITH AUDIO SAMPLES - Make it stand out</image:title>
      <image:caption>Screenshot of the foley session comparing the SO.104 (top pair) and SE8 (bottom pair) reveals the difference in the two mics ultrasonic responses. While the SE8 perform admirably, they simply do not have the high frequency response required for extreme pitch shifting.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - AFFORDABLE ULTRASONIC MIC? SONOROUS OBJECTS SO.104 REVIEW WITH AUDIO SAMPLES - Make it stand out</image:title>
      <image:caption>Spaced pair of SO.104 omnis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/d869686d-71cb-4407-8a92-93b7d9729d56/so104VoiceBeforeDownPitching.jpg</image:loc>
      <image:title>Blog - AFFORDABLE ULTRASONIC MIC? SONOROUS OBJECTS SO.104 REVIEW WITH AUDIO SAMPLES - Make it stand out</image:title>
      <image:caption>SO.104 voice recordings before down pitching showing lots of ultrasonic content above 20kHz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/z-cable-benefits-diy-for-live-sound-field-audio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/a9ec0956-5623-4d21-bcff-b9967ad2adbb/Z-Cable_PinoutAndWiring.jpeg</image:loc>
      <image:title>Blog - UNLOCKING EFFICIENCY IN YOUR SOUND KIT: THE POWER OF THE Z-CABLE - Make it stand out</image:title>
      <image:caption>The middle three connectors will each have two sets of wires soldered to the connection points. It may be helpful to twist these pairs together before tinning and soldering the connections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1730913729925-U5AJI0WA7444282TS123/unsplash-image-eXUTOd9ZdsQ.jpg</image:loc>
      <image:title>Blog - UNLOCKING EFFICIENCY IN YOUR SOUND KIT: THE POWER OF THE Z-CABLE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/ultrasonic-microphones-sound-design-guide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1c506b58-0703-48cc-9795-8d72b5361bc8/unsplash-image-QF787_rXEwk.jpg</image:loc>
      <image:title>Blog - THE HIDDEN WORLD OF ULTRASONIC SOUND: USING ULTRASONIC MICROPHONES IN SOUND DESIGN - Make it stand out</image:title>
      <image:caption>Cheap plant mic options such as the Zoom H5 are only capable of recording up to 20kHz. The SO.104 look to be a significant upgrade over the handeld’s mics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/3eaab7fb-afd2-43b8-a435-fbaab71feb4a/unsplash-image-NljTy5Y15JM.jpg</image:loc>
      <image:title>Blog - THE HIDDEN WORLD OF ULTRASONIC SOUND: USING ULTRASONIC MICROPHONES IN SOUND DESIGN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/sound-design-rhythm-and-timing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-28</lastmod>
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      <image:title>Blog - THE ROLE OF RHYTHM AND TIMING IN SOUND DESIGN - Make it stand out</image:title>
      <image:caption>You can check out the clip with commentary from the director here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/diy-broadband-absorbers-guide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-28</lastmod>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE - Make it stand out</image:title>
      <image:caption>A speed square can help you achieve square corners quickly and easily.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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    <image:image>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE - Make it stand out</image:title>
      <image:caption>Try to find lumber that is not warped, as this will make squaring corners difficult.</image:caption>
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    <image:image>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
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      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE - Make it stand out</image:title>
      <image:caption>Burlap covered panels tend to look sloppy no matter how careful you are.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/0fa67bae-ebcb-4020-8213-6b7e9fb5a608/FinishedPanel.jpg</image:loc>
      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE - Make it stand out</image:title>
      <image:caption>1 of 14 identical panels I made for my home studio, saving hundreds including the cost of tools- the electric stapler was the real MVP.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1717075208757-YLT2P1D4WDT9ABS9PU9D/image-asset.jpeg</image:loc>
      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE - Make it stand out</image:title>
      <image:caption>Get the best bang for your buck with custom DIY panels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1717073874297-VTSKI64RM101JWR8LUCP/MeasuringFabric.jpg</image:loc>
      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1717073880314-YJZAKOH8JY5B9FUJATLX/CutFabric.jpg</image:loc>
      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1717074029783-JKNH0HJXRT8OIELCKA4E/LayingDownBatting.jpg</image:loc>
      <image:title>Blog - HOW TO CREATE BROADBAND ABSORBERS WITH ROCKWOOL: A STEP-BY-STEP GUIDE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/impulse-responses-sound-designers-guide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1715792951427-3R855T7NT01VSNH07K5P/image-asset.jpeg</image:loc>
      <image:title>Blog - IMPULSE RESPONSES: A VERSATILE TOOL FOR THE SOUND DESIGNER'S TOOLBOX - Make it stand out</image:title>
      <image:caption>Ø (the greek letter “Phi”) is commonly used to denote the polarity inversion control on EQs or consoles. Commonly mis-referenced as the “phase invert” button, the “polarity invert” button merely swaps the positive and negative of the waveform without affecting the timing, whereas “phase invert” implies a shift of timing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1715790177437-3HLHVCZNFZ35FVYMRRQW/image-asset.jpeg</image:loc>
      <image:title>Blog - IMPULSE RESPONSES: A VERSATILE TOOL FOR THE SOUND DESIGNER'S TOOLBOX - Make it stand out</image:title>
      <image:caption>A real bullhorn would break up and distort. Use distortion in front of your bullhorn IR for a more realistic effect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1715791513509-8YZTZ61JASDMDZWXEGYC/image-asset.jpeg</image:loc>
      <image:title>Blog - IMPULSE RESPONSES: A VERSATILE TOOL FOR THE SOUND DESIGNER'S TOOLBOX - Make it stand out</image:title>
      <image:caption>Be sure to use a method capable of generating low frequencies- a hand clap may not be the best choice!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/dalek-creature-sound-design-tutorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-17</lastmod>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/mix-room-calibration-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1712766379913-YD2FJ16EJ45PKTK8TPXY/image-asset.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 2 - Make it stand out</image:title>
      <image:caption>Orchestral halls and cathedrals can have extremely long RT 60 values, sometimes exceeding 10 seconds!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/f9384299-9831-4e77-91d4-0506b81a245e/image-asset.jpg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 2 - Make it stand out</image:title>
      <image:caption>Get your studio ready for warmer weather!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/b8d85b88-f384-44b6-b0a9-d43829eadf3a/image-asset.jpg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 2 - Make it stand out</image:title>
      <image:caption>Use an outboard 32-band EQ or the output DSP of your interface</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/87411f53-d0ba-4dae-88e0-1913e2b6d617/CoolDesk_04102024.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 2 - Make it stand out</image:title>
      <image:caption>Björn does not have ears</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1712767945503-TD92HES7DAQCJV4F2825/image-asset.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 2 - Make it stand out</image:title>
      <image:caption>A waterfall graph is named so because its visual representation resembles the cascading flow of a waterfall. In this type of graph, data points are shown sequentially, with each point stacked on top of the previous one, creating a cascading effect similar to how water flows down in a waterfall. The bigger the stack, the longer the resonance.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/mix-room-calibration-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/87411f53-d0ba-4dae-88e0-1913e2b6d617/CoolDesk_04102024.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>My studio assistant, Björn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/3187c4aa-f4f0-4f08-8d3f-9921c1038070/image-asset.jpg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>They also tend to be stinky…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1712763386250-5LW2KV51PAGQOXK43KE8/image-asset.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>Sound resonates like ripples on water. Constructive and destructive interference is visible where the ripples intersect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/8731cf88-0d03-4172-bffa-a660fc8a9193/image-asset.jpg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>The term "skyline" in the name comes from the visual resemblance of the diffuser's profile to the jagged outline of a city skyline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1712764918267-L4W0ATIV2880WCYVNRP6/image-asset.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>To achieve the best sound quality in a room, the width should be about 1.6 times the height, and the length should be approximately 2.6 times the height.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/655b9028d1a8c16f59944846/1712765537432-570D6XJ1LTDY24RV2HA5/image-asset.jpeg</image:loc>
      <image:title>Blog - UNDERSTANDING MIX ROOM CALIBRATION: PART 1 - Make it stand out</image:title>
      <image:caption>be sure to get low</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/special-unveiling-sound-illusions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-11</lastmod>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/sound-design-fundamentals-background-sounds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-28</lastmod>
  </url>
  <url>
    <loc>https://www.sameliaaudio.com/blog/dune-sound-design-eval</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-14</lastmod>
  </url>
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    <loc>https://www.sameliaaudio.com/blog/1917-sound-design-eval</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2024-02-27</lastmod>
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